Throughout
Brigitte Le Normand’s Designing Tito’s
Capital, I was very interested in the idea of many different modernisms, or
different uses of the concept of modernism. Le Normand shows us that, although
the Athens Charter was designed by European architects specifically to address
problems in European cities, the idea traveled to areas “outside the West”
(Le Normand: 11). Modernism arrived in the “European periphery” and postcolonial world by
colonial government or elites of authoritarian states, and was used to assert
power and legitimacy. In these areas, modernism was based on imitating European
examples. However, in post-colonial areas that often meant imitating colonial styles,
which gave modernism a different interpretation. Vikram Prakash finds that in a
time when the postcolonial leaders in India should have used modernism to
emphasize decolonization, or “put decolonization on stage” (Prakash: 152), modernism
rather was used as “an antidote to the ‘pitfalls of ancient identities’” (Le
Normand: 12). Prakash sees modernism as a failure in postcolonial India because
of how it was introduced—in a “top-down” fashion that did nothing to help India’s
problems attached to a recent colonial history.
In Belgrade,
there are struggles with taking the concept of modernism, originally conceived
of in the Athens Charter to optimize capitalist cities, and integrating
socialist goals into the plan—community-centered living and social equality. In
both uses of modernism, there are the general goals of using scientific
planning and technique to help citizens achieve a “better standard of life”.
There can be tensions, though, in visualizing what the better life looks like.
This tension derailed urban planning in Belgrade, once overall goals became
somewhat conflicted: does the better life include detached single-family
housing or a more connected community-centered plan, and is it possible to have
both? You can see
that modernism isn’t a stable or bounded concept—people pick out different
aspects of what comprises modernism and find use for or discard them to fit
certain needs or ideologies. However, it is usually posed as a solution for social life, whatever that ideal solution may look like.
I was
curious to compare these ideas to the Philippines. I found a couple different
uses of the idea of modernism. They represent a much more current
interpretation of what it means to be modern, or live modern, in the
Philippines, and it was interesting that both concepts center on environmental
responsibility—being “green” or “sustainable”—to combat the problem of climate
change.
In this article, from a middle/upper class newspaper (http://www.philstar.com/modern-living/614693/green-urban-design), the author describes “landscape urbanism” which finds success not only in maximizing the flow of goods and people, but also integrates environmental protection: “The success of modern districts, cities, and larger metropolitan areas depend on changing the old paradigm based on just urban economics or functional circulation of goods, services, and people. An even more overarching approach is emerging that requires a new type of urbanism, one that addresses the standard economic and functional requirements but puts emphasis on greening and being green” (Alcazaren 2010). Just as modernism imitates European example, this proposed urban model for the Philippines would imitate other more economically successful cities, Singapore and Kuala Lumpur. Modernism is offered here as a solution for climate change.
A statement written by the Philippines socialist party
(Party of the Laboring Masses), on the other hand, also sees climate change as
the central social problem to be addressed, but sees different techniques of
modernism as the solution. (http://climateandcapitalism.com/2014/09/24/philippines-socialists-capitalism-sustainable/).
This modernism highlights the distribution of new technology, like solar
lanterns, and also on developing the renewable energy sector but criticizes
capitalism’s ability to adequately address social problems associated with
climate change: “It’s capitalism, a global system based on prioritizing
profits over people, which has brought us to the brink of a climate-induced
catastrophe that can destroy humanity. There is no ‘sustainable capitalism’.
There’s ‘disaster capitalism’, which epitomizes capitalist greed for profit, at
any cost” (Climate and Capitalism 2014). Later in the article, it becomes clear that the party’s
conception of modernism imitates the example of socialist government in Bolivia.
So,
similar to examples in Le Normand’s book, modernism is used in different ways to
combat different enemies to social welfare or “standard of living” (and
sometimes shared enemies in the case of climate change).
References
Alcazaren, P. (2010, September 25).
Green Urban Design. Philippine Star. Retrieved from
http://www.philstar.com/modern-living/614693/green-urban-design
Climate and Capitalism. (2014,
September 24). Philippines Socialists: Capitalism Cannot Be Sustainable.
Retrieved from
http://climateandcapitalism.com/2014/09/24/philippines-socialists-capitalism-sustainable/
Thanks for sharing, Shelley. I'm curious too to hear (maybe in discussion?) how these critiques on capitalism carry over to thinking about decolonization. Spivak's quote in the afterword really got me thinking about what role decolonization plays when approaching modernities, especially as it relates to the present. I'm curious to understand if the concept of decolonization is used at all by the climate and capitalism group. And if so what that decolonization looks like for their cause/and different post colonial societies.
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