Media
Précis
Week
2: Colonial and Imperial Technopolitics
Kyle
Harp-Rushing
Mediating
between the material, economic, symbolic, aesthetic, and embodied scales of interactions
with, within, and through infrastructure risks evaporating our sense of iterative
moments and expressions of agency, contestation, “hacking,” and resistance.
This risk is perhaps compounded when weighty infrastructural formations of
modernity, nationalism, and governance within (neo)colonial contexts are
situated as our objects of study. As Mrázek
(2002) notes, nationalism in late-colonial
Indonesia as it is articulated within the engineered figure of Kromoblanda consists of negotiations of
identity nested within power relations at once ethereal, sublime, and fundamentally
material (Mrázek 2002, xvii). Resisting the urge to frame “engineers” and “engineering”
purely within the realm of the physical interconnections between material
objects, Mrázek prefers a plural conception
of engineering that refers to the combined
imaginative and material relations by which native Indonesians and Dutch colonialists
configured each other. However, Indonesian subalterns are rarely depicted here
as non-actors trampled under the weight and velocity of Dutch modernity.
Rather, if we follow Mrázek’s argument for conceiving of “language as asphalt,”
his heavily empirical approach to historical documents, Indonesian fiction,
memoir of political prisoners, and advertisements, forms a densely interwoven
matrix for supporting his argument. While mutually interconnected and
interdependent technological systems such as roads, railroads and trains,
clothing and fashion, cruise ships, Dutch vacation homes, air conditioning, lighting,
typewriters, and radio were “thinged” by Dutch colonists in such a way as to
engineer a systematized and transposable experience of continually being “home
away from home”, while marking out racist, gendered, and classist lines of
difference, inclusion and exclusion (particularly around recurrent concerns
with hygiene, optics and policing), some of these very technologies comprised
sites of contestation around collective identity (e.g. clothing under Dutch
occupation was never rendered fully “systematic” under the figure of the dandy,
partly because it was grossly out of place in the Indonesian climate and Indonesian
nationalist amateur radio mechanics engaged with the medium as a mode of “floating”
away from the home, and of contesting particular musical forms as inauthentic).
Late-colonial Indonesians were never entirely “caught up” within the
machinations of technological systems, but at the same time, the ability to interact
vis-à-vis their immaterial and material forms was not only unequally
distributed according to, but further reproduced under, relations of class and
race (and assumingly gender and sexuality, though Mrázek noticeably pays less
attention to politics of either).
Continuing with the argument that neither
the materiality of infrastructures, nor intentional politics are determinative,
nor inconsequential (Hecht 2011, 3), I am interested here in animating Mrázek’s (2002) concept
of engineering to provoke questions
regarding the emergence of a “structure of feeling” (Williams 2009) around “resilience,” particularly as it is takes shape under
the auspices of the Rockefeller Foundation’s 100 Resilient Cities (100 RC)
initiative. http://www.100resilientcities.org/#/-_/ 100RC claims to provide particular cities with $1 Million U.S., an
“innovative new position in city government, a Chief Resilience Officer”, and
connection into a global network of public and private institutions and NGOs,
to go towards not only helping “individual cities become more resilient, but [also
facilitating] the building of a global practice of resilience among
governments, NGOs, the private sector, and individual citizens.” Imaginaries circulate
through social media infrastructures, engineering an assemblage in which global
relations, cities and individuals are made to become more “resilient” – i.e.
able to transform systemic stresses into “opportunities for growth”. However,
as Mrázek (2002) argues through his decision to maintain “nationalism” as a
subtext, local configurations of “resilience” are likely to be multiple.
Despite a capitalist development technic of modularity, wherein cities with
deep legacies of colonial violence and extraction are awkwardly situated
alongside and re-imagined through the same infrastructural assemblage of
political-economic and technological interventions as cities historically constitutive
of the overly simplistic “center”, there appears on the website relatively
little discussion regarding the extent to which people in local contexts (often
outside of formal government positions) might provide the most radical and
ethically vibrant and responsive forms of infrastructural and decolonizing (re)engineering
(Simone 2004). Rather like uneven formations and access to “Indonesian
national identity,” resilience here is worth interrogating as a technopolitical
façade (or perhaps, fabrication) through
which difference and inequality are potentially materialized in the same
moments and through the same material-semiotic conduits through which they are
disavowed. The weight of modernity evaporates through narratives of “failures
to self-actualize”.
References
Hecht, Gabrielle, ed. 2011. Entangled Geographies: Empire
and Technopolitics in the Global Cold War. Inside Technology. Cambridge,
Mass: MIT Press.
Mrázek,
Rudolf. 2002. Engineers of Happy Land: Technology and Nationalism in a
Colony. Princeton Studies in Culture/power/history. Princeton, N.J:
Princeton University Press.
Simone,
AbdouMaliq. 2004. “People as Infrastructure: Intersecting Fragments in
Johannesburg.” Public Culture 16 (3): 407–29.
doi:10.1215/08992363-16-3-407.
Williams,
Raymond. 2009. Marxism and Literature. Repr. Marxist Introductions.
Oxford: Oxford Univ. Press.
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